Newsmaker of the Week: James Arness as Matt Dillon/Gunsmoke
SCV NEWSMAKER OF THE WEEK:
James Arness

James Arness
[Click to enlarge]
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Interview by Leon Worden
Signal Multimedia Editor
Sunday, April 30, 2006
(Television interview conducted April 21, 2006)

    "Newsmaker of the Week" is presented by the SCV Press Club and Comcast, and hosted by Signal Multimedia Editor Leon Worden. The program premieres every Wednesday at 9:30 p.m. on SCVTV Channel 20, repeating Sundays at 8:30 a.m.
    This week’s newsmaker is actor James Arness, star of the longest running prime-time series in television history — "Gunsmoke." The interview was conducted April 21 at the Arness home in Brentwood. Questions are paraphrased.

Signal: Thank you for inviting us to your lovely home. The city of Santa Clarita is honoring you with a 2006 Walk of Western Stars award.

Arness: Yes, which certainly is a great honor. It’s a great pleasure for me to be part of all this.

Signal: The Walk of Western Stars event coincides with Santa Clarita’s annual Cowboy Festival, held at the Melody Ranch Motion Picture Studio — which has a particular meaning to you.

Arness: That’s for sure. The first couple of years, we did most of our outdoor work right there at Melody Ranch. It’s such a great place.

Signal: The story goes that John Wayne was initially offered the part of Marshal Dillon, but he turned it down and recommended you. How did that come about?

Arness: Well, I was under contract to Duke’s company for two years before "Gunsmoke" came along. I had been in about four pictures for his company with him. When the "Gunsmoke" offer came in, he said, "I wouldn’t be able to do it, but I have a young man here under contract who I think would maybe fit the bill." So he very graciously offered to introduce the first episode. And it was great. It was a wonderful thing. He was a one-of-a-kind guy. There just was never anybody else like him.

Signal: Apparently he appeared in that first episode in September 1955; did you start right off the bat at Melody Ranch?

Arness: We did our first episode there, but he wasn’t out there. He just did his piece in the studio. He did the introduction, and then the show came on.
    But we did the first couple of years of the show — at least, we did all of our outdoor stuff there at Melody Ranch.

Signal: There were several different Western movie towns at the time; do you happen to know why Melody Ranch was chosen for "Gunsmoke"?

Arness: I don’t, really, but it certainly was the ideal place to do these shows. You had all kinds of different locations there including, even, there was a train there.
    It was great to be there. And then eventually, in later years, we went to all these various places, out at Thousand Oaks and all that. Great country then. Now it’s all built up with condominiums. But back then, there was a lot of great country out there, which we used.

Weaver
Matt (Arness) and Miss Kitty (Amanda Blake) at Vasquez Rocks. Publicity photo.
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Signal: Did you ever visit the real Dodge City at that time?

Arness: We did go. I think it was about the second year of the show. We put together a big bunch of the Western guys and we went back there and had a big celebration.

Signal: At 6-foot-7, you were the "tallest person ever" in a leading role at the time. But when you appear in a shot, you usually don’t seem overly large compared to the other actors. Did they stand on crates or something when they were near you?

Arness: Not really. I guess people just had to get used to it. The big thing with the show was that we had a lot of really fine actors, and more than that, we had started out with great writing.
    The two gentleman who originated the show — you know, it was on radio for two or three years before they brought it to television — John Meston was the man who conceived the idea of the whole thing. He did most or all the radio shows, and then when it came to television, he did most of those for the first couple of years.
    We had great stories, great writing, and we had fine casting and directors. The whole package just came together.

Signal: What was the essence of "Gunsmoke"? What message was it trying to convey?

Arness: I think you could say that compared to most of the Westerns that had been, up to that point in time — no criticism of them, but they were more or less — I wouldn’t say "kid shows," but they were more or less kind of "fun-time" Westerns, whereas "Gunsmoke" they dubbed the "adult" Western.
    Actually I think it was the premise of it. They told stories of real life and real characters, and stories that we hoped the audience would become involved in. That kind of approach. And evidently they did.

Signal: In terms of story line, "Gunsmoke" has been compared to its contemporary, "Dragnet," where there was a message with each episode.

Arness: I think that’s what they tried to do with our show — tell stories about people coming to the West; what it was really like out in that country at that time. The stories usually involved some particular person or group of people that would come through, and would tell their story.
    It wasn’t all just about me or the rest of the family or anything. It would focus on these characters that were coming through in that episode. That’s kind of the way it went, and it certainly seemed the right thing to do.

Signal: People always ask, in 20 years, why didn’t Matt Dillon ever marry Miss Kitty?

Arness: The short answer there is that I think it just would have changed the whole premise of the show.
    The idea was that Matt had this job that he had to do, which was potentially a dangerous job, and you would have had a different show if he had been married and had kids.
    I think, over the years, everybody realized that Matt and Kitty had a close relationship; they really cared for each other and all. But it just wouldn’t have worked, really, to have him be a married man or with kids.

Signal: He loved her, though, right?

Arness: Oh! There is no question about that. No, I don’t think there is any question there.

Weaver
At 6-foot-7, James Arness towered over his 6-foot-2 "Gunsmoke" sidekick, Dennis Weaver. Publicity photo.
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Signal: One actor who looked rather small when he stood next to you — and yet, at 6-foot-2, he was no short man — was Dennis Weaver. We lost him in February. Were you close?

Arness: We were very close in the early years, particularly. He was on the first six years of the show, which were the half-hour shows. Then he came in and out for the next couple of years. But then he split off and went on to do many other things — which is what he really wanted to do, after doing six or seven years of Chester.
    He was very talented, actually. A talented stage actor. A Shakespearean actor and everything. I think he just got to the point where Chester wasn’t making it for him, and he had this urge to go out. Which nobody blamed him for, but of course we were very concerned, when he was leaving, because we didn’t know who could replace him (when) we needed a character—

Signal: A sidekick.

Arness: Right. Fortunately, we lucked out and got Kenny Curtis, who worked in the character of Festus. He was also a heck of a actor. That was a real characterization for Kenny, because he was actually a very sophisticated guy. He was a singer. He had a great voice. He sang with Tommy Dorsey’s band. Festus was a real acting job for him. Yeah, it was.
    Boy, what a great addition to the show. He stepped in and filled that realm that Chester had been in. But not just like that. He was actually much more hard-core. He could go out and do stuff by himself. Bring in bad guys. He was a heck of a character, and it just worked like gangbusters.

Signal: Dennis Weaver left the show and did the first Steven Spielberg film, "Duel" (1971), up Sierra Highway in Saugus. Of course Weaver starred as "McCloud," and he ended up doing the bumpers for the Encore Westerns channel. Do you watch Westerns on TV?

Arness: Oh, every day. Whenever I can. I always watch "Gunsmoke."

Signal: You do?

Arness: Oh, yeah. I love to watch the old shows. Many of them I never had chance to see when we did them, because it was (on television) on Saturday night and I was usually out doing something else at the time. So there are many of the shows that I had never seen.
    It’s a lot of fun to watch. TV Land, they’re on there; we were on the Westerns channel but then a few months ago they took us off. That was too bad, because we were on two hours every night, seven days a week. That’s 14 hours a week, plus TV land—

Signal: A lot of residuals, huh?

Arness: I wish. But people still — we get 100 e-mails a week from people who still watch it. It’s still out there.

Signal: JamesArness.com is your Web site, right?

Arness: Yes. And if (people) want any information about what’s going on in our lives, you can get pictures there, books, all kinds of stuff.

Signal: Something you mentioned on your Web site recently were some mallard ducks out back that you’ve named Matt and Miss Kitty. What’s the story there?

ducks
Matt and Kitty on the deck of Jim and Janet Arness’ pool. Photo by Brad Hoffarth/SCVTV.
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Arness: I don’t know, they just came in for the last three or four years. They usually stay for a few days and then head out, but now they are staying. They have been here about three weeks … now we cant get rid of them. We want to get the pool started, but as long as they’re swimming around there—

Signal: We’re waiting to see them fly into the house.

Arness: Yeah, they might. I got up the other day and one of them was looking right in the window like, "Hey, feed me, would you?" It’s fun to have them, though. It’s great.

Signal: Is anybody making a good Western these days?

Arness: Gee, I don’t think so. As far as I know, there aren’t any Westerns — even movie Westerns.

Signal: Well, there’s "Brokeback Mountain," which you might call a Western. Did you see that one?

Arness: (Laughing) No, I haven’t seen it yet.

Signal: Yet?

Arness: If it ever gets out on TV, we would probably see it.

Signal: Is there anything that came after "Gunsmoke" in the Western genre that you liked?

Arness: We did a show after "Gunsmoke," of course — "How the West Was Won." We wound up being called "The Macahans."
    We did that for, I believe, three seasons, and I had a doggone leg that kept getting worse on me. I was limping around and I had to have an operation. They decided that they wouldn’t try to continue, because I would be out of commission for six months. So they just folded the show.
    As far as I know, I don’t think they have done many Westerns since then.

Signal: Going back to Melody Ranch, you started shooting "Gunsmoke" there in 1955. Melody Ranch burned down in August 1962. Were you shooting there all that time?

Arness: We were off and on there. Of course there were many other places we had gotten onto at the same time. I think we didn’t really film there anymore.

Signal: Gene Autry owned Melody Ranch then; did you run into him out there?

Arness: Oh, I should say. We used to see him every once in a while. And then, of course, we (saw) him a number of times since. When he owned the Angels, he invited us out there to see a game and all.

Signal: Where would you stay when you were shooting at Melody Ranch?

Arness: We would drive home every night. Boy that was a drive—

Signal: Drive home here to Brentwood?

Arness: I lived in (Pacific) Palisades then, and there was no 405 Freeway. There was Sepulveda Boulevard. I would drive down Sunset to Sepulveda, and here you had this street with stop lights every two or three blocks, and 18-wheel trucks. … I think it used to take me at least two hours to get to Melody Ranch.

Signal: Did you take San Fernando Road into the Santa Clarita Valley?

Arness: I would go out Sepulveda, and right at the end of the valley, you turn off (to) Placerita Canyon.

Signal: You’d come over the hill and see what — a bunch of sagebrush and chaparral? What do you remember of the way the Santa Clarita Valley looked at the time?

Arness: It was beautiful then. It was sort of virgin country. We could shoot any direction, up in the hills or down in the — it was great out there then. But it’s like many other places now.
    One place we did go quite a bit in the later years, the mid-years, was the Janss (Conejo) Ranch, which was out past Thousand Oaks. They had about a 15,000-acre ranch there, and everybody wanted to use it then. There would be three or four Westerns shooting out at the ranch at the same time. It was beautiful country. You could swing the camera around 360 degrees and you wouldn’t see a house or a telephone pole or anything. Everybody loved being out there.

Signal: One way or another, they still manage to shoot the HBO series, "Deadwood," at Melody Ranch. Have you seen that one?

Arness: I have seen it, yeah, a couple of times. It —

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